Sep 3, 2014 - I've done some serious work on this for a client and found the Google font Lato is virtually indistinguishable from Avenir - you can literally put.
John Pistilli (1925—2003) worked for the advertising agency Sudler & Hennessey, where he was head of lettering design. Frances Elfenbein met him first in 1957 at Sudler & Hennessey. She writes: “John was the most skilled and creative letterer I had the privilege of knowing. He did the finished lettering for most of the designs Herb Lubalin created at S&H, always adding refinements to the very rough sketches he received from Herb.” In 1964, Herb Lubalin made a typeface with him called Pistilli Roman. John Pistilli (1925—2003) worked for the advertising agency Sudler & Hennessey, where he was head of lettering design. Frances Elfenbein met him first in 1957 at Sudler & Hennessey. She writes: “John was the most skilled and creative letterer I had the privilege of knowing.
He did the finished lettering for most of the designs Herb Lubalin created at S&H, always adding refinements to the very rough sketches he received from Herb.” In 1964, Herb Lubalin made a typeface with him called Pistilli Roman. John Pistilli (1925—2003) worked for the advertising agency Sudler & Hennessey, where he was head of lettering design. Frances Elfenbein met him first in 1957 at Sudler & Hennessey. She writes: “John was the most skilled and creative letterer I had the privilege of knowing. He did the finished lettering for most of the designs Herb Lubalin created at S&H, always adding refinements to the very rough sketches he received from Herb.” In 1964, Herb Lubalin made a typeface with him called Pistilli Roman.
John Pistilli (1925—2003) worked for the advertising agency Sudler & Hennessey, where he was head of lettering design. Frances Elfenbein met him first in 1957 at Sudler & Hennessey. She writes: “John was the most skilled and creative letterer I had the privilege of knowing. He did the finished lettering for most of the designs Herb Lubalin created at S&H, always adding refinements to the very rough sketches he received from Herb.” In 1964, Herb Lubalin made a typeface with him called Pistilli Roman. John Pistilli (1925—2003) worked for the advertising agency Sudler & Hennessey, where he was head of lettering design. Frances Elfenbein met him first in 1957 at Sudler & Hennessey.
She writes: “John was the most skilled and creative letterer I had the privilege of knowing. He did the finished lettering for most of the designs Herb Lubalin created at S&H, always adding refinements to the very rough sketches he received from Herb.” In 1964, Herb Lubalin made a typeface with him called Pistilli Roman. John Pistilli (1925—2003) worked for the advertising agency Sudler & Hennessey, where he was head of lettering design.
Frances Elfenbein met him first in 1957 at Sudler & Hennessey. She writes: “John was the most skilled and creative letterer I had the privilege of knowing. He did the finished lettering for most of the designs Herb Lubalin created at S&H, always adding refinements to the very rough sketches he received from Herb.” In 1964, Herb Lubalin made a typeface with him called Pistilli Roman.
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